About Paul
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Paul at the helm

The studio is closed however I am holding on to such gear as I might use at home or could bring to the augment of a recording session in a rented facility. For a list of gear listed below. There is also a list of Equipment for sale

Production

THE ROLE OF THE PRODUCER: Producer (pro-doo! cer) n. 'Someone who sits in a studio control room and periodically freaks out. Never eats, sleeps, or goes to the bath room. Occasionally will eat your pizza.' But seriously, at most sessions there is one person who has the final word about musical things. A producer decides things like the tempo of the song, which take of a particular performance is the "keeper", what the general sound of each instrument should be, how are all the instruments best combined during mixing, and with what kind of effects. It is his job to oversee the recording project as a whole including the setting of budgets and devising a plan-of-attack to produce the recording within the time and financial constraints.

Hiring a producer can greatly enhance the quality of your project because he/she functions as an objective, fresh set of ears. The producer's job is to constantly evaluate the recorded performances with respect to how they fit together to create the best, most creative, end product. He is supposed to work with "big picture" in mind at all times, taking the information given to him by the performers as to what their overall intentions are with their music, and using that knowledge to create the final master tape.

Editing and Mastering

After mixing you will need to put all the songs in the correct order and decide how much space should go in between them. This is called "pacing" the album and is part of the process known as Mastering. Sometimes songs will need an internal edit in order to reach a particular target length or shorten an intro. You can even combine portions of different mixes and takes to create a composite master performance. You can also change the relative loudness of the songs individually, or tweak the tonal balance (EQ) so each cut flows smoothly into the next.

Gear

The studio is equipped with:

Microphones:

  • AKG C28 w/Red B7 capsule
  • AKG C452EB w/ck1 capsule and Blue B6 lollipop capsules
  • AKG C451EB w/ck1 capsule
  • AKG 1200e's (2)
  • AT 4050 (2)
  • AT 4047
  • ATM 25
  • AT 808G
  • Blue Babybottle (2)
  • Blueberry
  • EV 408's (2)
  • Josephson C42 (2) A Matched Pair
  • Kel HM1
  • Marshall 603 (2)
  • Sennheiser K3
  • BSS DI (not pictured)
  • Imp 2 DI (not pictured)
microphone_array

Mixers:

  • Mackie Universal controller digital mixing board

Computer:

  • Intel Core 2 Quad Q6600 Quad Core Processor 2.40GHZ 1066FSB 8MB
  • ASUS P5K-E 1333FSB
  • G.SKILL F2 4GB DDR2-1066 Dual Channel Memo
  • Pioneer DVR-212D Black DVD-RW 18X6X18 DVD+RW
  • Dual monitors

    Recorders:

    • Tascam DA-30 MKII (DAT)
    • Yamaha QY70 Midi Sequencer

    ADA Converters & Preamps:

    hardware stack

    Monitoring:

    • AKG 240M headphones (2)
    • MoreMe Studio Deluxe (2)
    • AKG 414 Headphones
    • Sony 7506 Headphones
    • Tannoy PBM 8 monitors

    Recording and mastering software:

    • Cubase SX 3
    • Nuendo 3
    • Wavelab 5, Mastering and CD burning software
    • Waves Mercury bundle plugins
    • TC Works V3 Native Bundle plugins
    • Antares Autotune
    • BBE Sonic Maximizer
    • TL Audio EQ-1

    Amps and Instruments:

    • Fender Blues Junior
    • Tubeworks Mosvalve
    • 1732 Joannes Schorn Violin
    • 2003 Scott Marckx Violin
    • 1980 Martin M 38
    • 1940's? Archtop F hole guitar w/pickup
    • Yamaha SE1230 electric guitar
    • Lawrence Nyberg Octave Mandolin
    • 1924 Gibson A2 Mandolin
    • 1924 Gibson TB4 Tenor Banjo
    • Harmony Roy Smeck Concert Uke
    • Prophet 5, B4 native, and many other Midi virtual Keyboards
    • Djembe's, Dumbek, Tar and loads of percussion toys
    • A large collection of Organic, Ambient, and Vitual, Samples and Sound Effects
    strings
    toys

    Equipment for sale:

      Mics

    • Blueberry $900.
    • AT 808G $100.
    • AKG 1200e's (2) $50. each
    • EV 408's (2) $200. each
    • Sennheiser K3 Omni $150.
    • MXL 603s (2) $90 each. The MXL's were hand picked for me from the factory.
    • Kel HM1 $100.

      Preamps

    • Peavey VMPII Stereo Tube preamp $800.

      Mixers:

      • Mackie Universal controller digital mixing board $650.

        Monitor

      • AKG 240M headphones (2) $150. each
      • MoreMe Studio Deluxe (2) $35. each
      • AKG 414 Headphones $50.
      • Sony 7506 Headphones $100.

        Pedals

      • FB4 foot pedal for line 6 Pod or Pod 2.0 $65.

        Odd Sods

      • Music stands (3) $20- $30. each
      • Guitar Stand $15.
      • Amp Stands (2) $15. each
      • ProCo six channel Headphone junction box $65.
      • XLR female to 1/4 TRS male cables (8) $15. each

        Instruments

      • Fanelli Violin with case and bow $450.
      • Violin bow made by C. Santos. 4/4 pernambuco, round stick, silver mounted with faux whale bone wrap. This bow is quite new and barely used. It weighs 60.1 grams. $450.


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      Glitchless Productions, 555 Vancouver Ave. Nanaimo V9S 4G6

      Page last updated on 18 August 2009

      Web Page design by Dave Marshall.